Tag Archives: Walker Evans

Charlotte Cotton: Something and Nothing (part 2)

When Cotton (1) moves away from still life to look at deserted landscapes she introduces a number of photographers whom I find much easier to understand and relate to. Richard Wentworth’s photographs of the signs and debris of the street are … Continue reading

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Charlotte Cotton: Something and Nothing (part 1)

In The Photograph as Contemporary Art (1) Charlotte Cotton includes a chapter that investigates the strategy of using inanimate objects or environments as a metaphor. In practice this chapter considers contemporary still life photography rather more than human altered landscapes without human … Continue reading

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Joel Sternfeld: Stranger Passing

In an age when so much contemporary photography features flat, grey skies, deadpan, desaturated colours and pale, wan portrait subjects it is refreshing to review Joel Sternfeld, one of the early colourists, who along with William Eggleston and Stephen Shore, wrested colour photography … Continue reading

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The Verbal and Visual in Concert

The obvious place to start exploring the relationship between image and text might be captions and titles, whole books have been dedicated to the subject, but my starting point is the less commonly seen and rarely mastered work where the verbal and visual … Continue reading

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A3 Research – W. Eugene Smith: Spanish Village

Assignment 3 will be based on a small Italian village and as research towards this project I have looked at Eugene Smith’s Spanish village, which was published by Life Magazine in 1951 (1). I have previously reviewed two of Gene Smith’s … Continue reading

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Assignment 2: Self Assessment

Demonstration of Technical and Visual Skills At a technical level there are a number of weaknesses in this series; for example Fig. o1 would have been more striking if I had used daylight flash and underexposed the background and I am concerned … Continue reading

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Assignment 2: Two Fortunate Men

The Brief The objective of assignment 2, “Visa Versa” is to create a themed body of work that mixes portraits taken outside on location (street) and inside (studio). As well as including inside and outdoor shots I have used the idea … Continue reading

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