Tag Archives: Tony Ray-Jones

A5 Research: The Myth of the Countryside Idyll

Our perspective of the English countryside is as a rural idyll; a place of tended pastures, thriving crops, cottage-fringed village greens hosting fetes and flower shows whilst bearded men with pipes, and pints watch cricket from dark beamed pubs. A viewpoint that could … Continue reading

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The Handwritten Word

The image and text come together in many different forms and so frequently that we usually view photographs in the context of accompanying text. Most commonly the text is external to the frame, a caption, title or a longer piece of writing … Continue reading

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The Pose

Reading Susanne Holschbach’s’s essay The Pose: Its Troubles and Pleasures in Street and Studio (1) began a chain of thought about the evolution of the pose in portrait photography. In the nineteenth century photographic practices, especially in portraiture, were a continuation of the, … Continue reading

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Seeking Influences in Portraiture – Art and Documentary

The ubiquitous nature of the photographic portrait brings unique challenges to the study of identity and place. It is a broad genre with seemingly endless sub-genres ranging from self portrait, street and documentary to fashion and studio photography. As a result I continue to … Continue reading

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